Happy New Year!!!

While I haven't been writing my brain has been providing scenes for three of my longer works. All I can say is thank goodness for notebooks and pens...

Among my Christmas presents I had a couple very suitable for a writer; a lovely small paperblanks lined notebook- a Blue Cats and Butterflies design, and very elegant, which will be perfect for putting in my handbag when I go out in the evenings (I have different sized notebooks for different handbags :D).

Also a book, 'How to Be a Victorian' by Ruth Goodman (the historian from the BBC Victorian Farm, the Edwardian, and Tudor versions too).

My 1st. January tradition is to watch the New Year's Day Concert from Vienna on TV. It's usually on the radio too, but you don't see the dancers in their beautiful costumes as you do on television. The music certainly conjures up images of the past...

Well that's it until next week when normal blogging resumes.

Meanwhile I wish you all a happy and successful 2015.

Image courtesy of krishna arts/ www.freedigitalphotos.net

Merry Christmas and a Wonderful New Year...

My last post before Christmas is finally here.

I've still got things to do before Thursday- as usual- and there's never enough time to do everything of course, but I'll somehow manage most of it.

My son returns from university this weekend, so I'm back to cooking for the full complement of six...

I've booked my first writing related event of 2015. The Writers' Conference at the University of Nottingham is very local for me, and I've wanted to go in earlier years, but never got there; so when I received the email with the details I decided to buy my ticket straight away.

Enjoy yourselves over the holidays and I'll see you in 2015...

Image courtesy of HDcafe68 from photobucket.com

The Review of 2014...

I find it helpful to look back at what I have, and haven't, achieved with my writing life during the year.

I start out with a general plan for the coming year; but I have learnt over the years that it's better to set myself realistic targets and accept that some will be achieved, while others won't be.

Sometimes other unexpected opportunities come along and if they can be done, then I'll do them, but there's no point taking on more things if it will only derail my main objective.

So starting with my objectives for 2014:
A new timetable for my writing routine; exhibitions I wanted to visit and revising the novella.

I've certainly found a writing routine that suits me, and my sometimes disrupted life. The novella got temporarily put to one side, though the revision process was started, but needed more time away from it. My baddie needed some thinking about. Plus there's been all the admin work that being on the committee of the writers' club generates...

Here's 2014:

January- I received (the belated) Writer of the Year trophy at Nottingham Writers' Club. Was one of the initial readers for the club's National Short Story Competition.

February- I completed the first draft of the novella.(Where has time gone!)

March- Tidying up some short stories.

April- Trip to Bath booked, and I bought my new camera- any photo on my blog now, unless credited to someone else, has been taken with this camera.(It's given me some good pictures to remind me of places needed for research.)

May- This was a busy month. I still hadn't started my entry for the Mary Street trophy at the writers' club; took photos of the May speaker (Gail Simmons) for the club magazine-one of them was later requested by the writer for her to use with name credit. Went off for my weekend in Bath- took lots of photos, and that weekend resulted in 3 blog posts with pictures.This trip was partially a research trip as well as a break.

June- Lowdham Book Festival month. I've been attending the last day of the festival for nearly 10 years now.
I created a name banner for the stall for the writers' club, set up and spent the day on the stall. (It's also a good way to learn how to present yourself and watch how writers promote and sell their books.) After abandoning my romance novel entry I started another one.

July- I was among a large group of readers and writers in Nottingham who took part in a Reading Flashmob in the city centre one sunny Saturday lunchtime. My synopsis and 3 chapters for the romance novel competition entry was finally handed in.

August- Received the news that my very short story 'A Tight Squeeze', which was published on the Café Lit site in August 2013, had been chosen to be included in the Best of Café Lit 3.

September- Writing as and when I could, around getting one of my sons off to University.

October- Been blogging for 4 years this month.

November- Continuing the first draft of my contemporary romance.

December- Results of the Mary Street Memorial Shield for a Romance Novel announced at Awards Night, and my entry was the winner. Mislaid trophy to be presented in January 2015.

In some ways it doesn't seem that I've done much writing, but when I look at how much I have written in between those events, 26,043 words to date, that's actually 3,000 more words than 2013. It's at least a positive, but I need to be writing more.

March and April are the two months I need to work on in 2015.

Targets for 2015:
Complete the contemporary romance, revise and eventually submit it. Then hopefully by this time next year I'll be back to the historical romance novella and into the 2nd draft. If anything else pops up that fits in, I'll consider it.


As it's now only 14 days until Christmas Day, I'll be moving to a once a week post until the end of the year. I still have cards to write and send, and presents to buy. I'm determined to not be rushing around doing everything in the last few days as I have the past three years.

Normal blogging routine will return in January...

Winning is Great...

Now that Awards Night is over I can finally reveal that I won the Nottingham Writers' Club, Mary Street Memorial Shield for Romance Writing for 2014.

The Mary Street Shield is a bi-annual award that alternates with the Gwladys Bungay Rose Bowl for a Novel (any genre/subject); both require a synopsis and the first three chapters.

(The latter of the two ladies was published by Mills and Boon as Gwladys Duke in the 1960's.)

My winning story is actually a contemporary romance for a change- and my current work in progress.

The synopsis and first three chapters were written in just over six weeks, after my intended entry just wasn't working and it got temporarily shelved.

The contemporary idea had been lurking in my brain for some time, inspired by a book purchase, the cover instantly created a visual image in my mind, my heroine Felicity is stood looking up at a painting, and she's wearing an identical outfit to the woman in the portrait- and that moment eventually turns up in chapter four.

This competition was judged by Suzanne Ross Jones, who also writes as Suzanna Ross, and has had five My Weekly Pocket Novels published, (four now on Kindle), and lots of other published stories.

I'll admit now, there were a few minor points that would need a little work, but I agree with Suzanne's remarks regarding them.

Here's a bit of the feedback:

"I adore stories about writers and about libraries - and this has the best of both of those subjects. This is a traditional romantic set up and you've met my expectations of the genre with characters and situation. The writing is polished and assured and I was thoroughly entertained as I read the three chapters."

Now I have to admit that my hero is a little bit older than you usually get in romances, he's forty, but an attractive forty; Felicity is a thirty-two year old librarian, and has recently been made redundant from her job. Life is about to change for both of them...

"I was actually quite sad when I got to the end of chapter 3 - this is the sort of book that I'd like to read through at one sitting."

Now normally I'd have a picture of me with the trophy, but the shield got left behind when the other trophies were transported to the venue earlier in the day. It was only realised when we collected the silverware from the locked cupboard. So I'll be getting the actual shield in the New Year.

As it was also the Christmas party I dressed up in a seasonal colour.

NWC Awards Night 2014

And if you wondered what the book was that inspired the story, and the item that appears in it, well it's this...

Inspiration for my
winning story

I'm not going to tell you more, you'll just have to wait until I finish writing it, and it gets published. But this is the priority project for early 2015...

Mills & Boon Romance Writing Masterclass News...

Interesting email received today from Mills and Boon; they've announced that in January 2015 they will be holding their first Romance Writing Masterclass, at Paradise Heights in Richmond.

It's an " intense one day workshop" being held on Saturday, January 24th 2015.

Places are limited, but tickets go on sale next week- no idea of cost.

You're asked to email Author Lab, details on this page.

It looks like a long, hard working day.

Described as, "designed to take you from zero to sixty in your romance writing skills." Those attending will leave with "a clear understanding of the romantic fiction market and an idea of the next steps to take in the writing process."

(This doesn't sound like it's aimed at those who have been developing their romance writing skills for some time already...)

There will be a Mills and Boon guest author- presumably they will be revealed when the details are sent out.

The course will be run by Harlequin's senior editorial team, as well as the guest author.

And to finish it off there will be a drinks reception at the end of the day, and the "chance to sign up for our mentoring program."

This could be a costly day when you put travelling onto the potential ticket cost, and depending on how far you have to travel from, overnight accommodation might need to be added into the total.

There could be some cost to the mentoring program - if you look at how other mainstream publishers have been moving into the mentoring sector in the past year or two.

Perhaps M&B are looking to expand further into the romance market, and they see this as a way of nurturing what they want next; or maybe it's the start of a big future change...

Workshops and Festivals in 2015...

As I missed this year's Festival of Romance in September- it was the same weekend as my son was moving into halls at university- I was hoping that I'll be able to attend next year.

Well the dates and location have been announced.

6th to the 8th November 2015 at Stratford upon Avon in Warwickshire.

I spent many summers there going to the theatre- a whole week to visit places during the day, and in the audience at the RSC performances in the evening.

It's been a very long time since I last visited...

You can keep a watch for future details on the Festival of Romance website, here.

2015's date is in my diary already. :D

*   *   *

If you're in the UK and within travelling distance of London, then you might be interested in the dates for the Women's Weekly fiction workshops being held in 2015.

I know a number of writers who have attended them and enjoyed the day- they always fill up quickly, so if you're interested get booking.

Each one day workshop costs £75, and starts with coffee and biscuits at 10 am and finishes at 4.30 pm, with an hour for lunch. 

It's held at the Blue Fin Building, in London, which readers may recognise from the magazine address.

Workshops

Serial writing is running: February 9, April 20, July 3, and October 9.

Short Story: March 2, August 24, October 5, and November 9.

Crime Writing: March 23, October 2.

Twist in the Tail Short Story: April 13, September 7.

You can find out more details by clicking on the workshop date you're interested in, here. You can also book your place and pay online there too.

I'd like to go to one of the short story workshops, but then I'd also be interested in attending one of the serial writing sessions too.

Choices, choices...

Openings to Stories...

Wednesday night at the writers' club I was in charge of the evening; it was a 'Discuss and Read' session.

This month's topic was openings- whether a novel or a short story- and the idea was to bring in a book where the start grabbed you and made you want to find out more...

Writing the opening of a story?

I took along the latest issue of the Woman's Weekly Fiction Special as there were a few interesting opening paragraphs that immediately made you want to read on- well a few of the older men didn't find them intriguing, but they weren't the target market of the magazine! :D

It was interesting to compare the openings of 'The 39 Steps' by John Buchan, written as a serial in the summer of 1915 before being published as a book a few months later, and Michael Frayn's, 'Towards the End of Morning' originally published in 1967.

Both these books didn't follow the grab your reader in quite the way it would be now. They were a more subtle winding of tendrils around the reader, luring them in out of curiosity rather than an outright, yes I want to know more now reaction.

 I had that, I want to know more now reaction to a modern sci-fi/fantasy type opening read by one of the members- when I can get in touch with her and find out the title and author, I'll let you know.

Like the other two, the opening was centred around the thoughts of the viewpoint character, but in this case you knew something was going to happen to this one any moment, and it wouldn't be good.

Obviously the writing style of those 20th century written novels were different to the current demands. Novel lengths were shorter, and long paragraphs weren't frowned upon because that was the norm.

Openings are never easy, and I do wonder whether these earlier writers went through the same indecision with the start of their novels, that writers nowadays often experience.

Personally I couldn't narrow down my choice of openings that have stayed with me, from all the novels I've read...

Do you have a favourite opening to a novel that has stayed with you?




Image courtesy of Nuttapong via www.freedigitalphotos.net

It's National Short Story Week...

The 17th to 23rd November is National Short Story Week in the UK.

After years of decline the short story has had a resurgence, and the organisation behind this week, works hard to encourage and promote short stories, as do the organisations that support it.

Collections of short stories are becoming very popular, as they can be turned into an e-book, or find a home with a small publisher like Alfie Dog Fiction.

Many of my blogger friends (Patsy Collins, Rosemary Gemmell and Teresa Ashby to name just a few) have had lots of stories published, and they are now giving them another outing in collections.

If you pop over to Sue Moorcroft writes you'll be able to find out more about Wendy Clarke and her new short story collection, "Room in Your Heart". Wendy's name will be recognisable to anyone who has read The People's Friend magazine.

Do you remember a few months back, I was going to try and get an entry done for The Historic House Association Short Story Competition?

In the end I didn't have time, but you can find out who won, the names of the runners-up, and also those who were shortlisted and highly commended, via the National Short Story Week website, here.

Writing short stories are a good way to learn the skills you need to eventually write serials and even  novels. While the parameters are larger in a novel, the same skills in dialogue, narrative and characterisation are needed.

The wonderful thing about short stories is that you can read them anywhere, whether you have five or ten minutes, or an hour...

Long live the short story...

It's November So It's Bad Sex in Fiction Time...

I admit, I do enjoy reading about the shortlisted entries for the annual Bad Sex in Fiction award-the winner is announced 3rd December.

Some years the entries get more publicity than others, and I suspect 2014 might get more than usual as there are a few well known names among them: Kirsty Wark, Wilbur Smith and Michael Cunningham.

You can read the shortlisted entries in this Guardian article. You can even take part in their own vote on who you think should win.

If you have missed this before now, the Literary Review's purpose for the award- in it's 22nd year- is to bring attention to, "poorly written, perfunctory or redundant passages of sexual description in modern fiction, and to discourage them."

Now admittedly, these extracts are only a small part of the book- I've just had to rewrite that sentence, as my original words sounded like a deliberate double entendre... :D

This year's nominees include Man Booker Prize winners, current and past; and a former winner of the Pulitzer Prize. Fortunately these high tokens of literary esteem don't take bad sex scenes into account in the judging process.

Having read through each extract in this Guardian article I went from thinking that Kirsty Wark's wasn't that bad, but as I read the rest it quickly became: good grief, that's really bad- and the really bad ones- five in my opinion.

My nominations for possible winners: 'From 'DD-MM-YY' In Things to Make and Break', by May-Lan Tan, and 'The Hormone Factory', by Saskia Goldschmidt.

You can find out more on the Literary Review webpage here.

Learning from Feedback...

Finally had time to grab a moment to blog.

November is always a busy month with family birthdays, organising for Christmas, and the run up to Awards Night and Christmas Party at the writers' club.

I took on the role of Prose Secretary around this time last year just as a stop-gap, but I decided to carry on with the job, as next April I complete my three year stint as Chairman and have to hand over to whomever is standing for election to the role.

Occasionally I also get an opportunity to judge a competition- which I've just done.

Feedback is a vital tool in enabling writers to improve, and it was while I was typing up my notes that I realised how much I've learnt, not just from reading and writing, but from the generosity of other writers giving their time and experience- whether as a competition judge, during workshops, or even informative blog/website posts.

When I think back to my manuscripts 12 years ago, I can now see how much I've learnt- and still continue to learn of course.

I don't think we can ever have a total disconnection from our stories and characters, having lived with them so closely during the writing process. So a competition judge will be reading our work with a fresh perspective and will pick up the faults we might have missed. Because we know that's what our characters are thinking, it's easy to miss getting that over to our readers...

So in just under a month I'll be handing back a number of manuscripts from the club's annual competitions- ghost stories, romance, radio, and this year's non-fiction, article writing- and the first thing the majority of the writers will do is read the comments.

Admittedly we don't need to follow the judge's feedback completely, as there's bound to be things that we don't agree with- I was devastated one year when a judge said that one of my character's who was dead was the most interesting, and then the next judge who read it liked it, and awarded it first place.

My current work in progress was entered in this year's bi-annual Romance Novel competition, so the judge's comments on the synopsis and first 3 chapters will be very helpful when I get to the revision stages.

I'll tell you how my entry got on after the December 3rd evening...

Meanwhile there's still a lot to do, and writing to get on with. :-)

Autumn Colour...

My assumption that I would be back to normal in a few more days has proved to be over-optimistic, as my ability to concentrate is still short term, so I'm holding off on my planned post- probably until next week.

In the meantime I thought I'd share a few autumn views. Even these simple images inspire ideas in my brain...

You may have seen my butterfly pictures from previous summers, so as soon as the Buddleia bush is trimmed back-to avoid fence damage in autumn high winds- I can enjoy the view of the Cotoneaster with its ripening berries, and the arrival of Blackbirds to gobble their way down the stems- between now and next spring.

Cotoneaster berries- inspiring story ideas...

In the Summer this bush gets swamped by the long branches of the Buddleia bush next to it.

This wasn't planted by us, but was seeded by the birds from droppings many years ago.

A few weeks ago the berries were at the
orange stage.




The Ivy has to be trimmed regularly, but it looks wonderful in the snow...

Ivy growing around the Buddleia

And the reminder that winter is on the way, but spring will return...

Last roses of the year...

Recovering...

I'm now getting back to normal- slowly admittedly- but I'm catching up.

This past week has been awful- I had an infection under a back molar that was extremely painful, and caused my face to swell up from cheek to jaw. And not helped by lost sleep...

Certainly made me realise how dreadful, and deadly, toothache would have been hundreds of years ago- no strong antibiotics.

I did try writing one day, but after 300+ words I gave up. There's probably 100 usable ones among those 300+.

Now it's back to all the other writing related projects that have been on hold, and as a few have imminent deadlines I' won't post until Wednesday/Thursday, rather than my usual Sunday.

I have an idea for this next post, but I need to speak to a few other writers first...

Hope the remainder of your weekend is problem-free.

What Has Happened to Historical Romance Novels?

In the 30+ years I've been reading historical romance novels, there has been a lot of change.

But...I don't believe the change has been as wide-ranging in the UK as it has been in the US over that time.

If you're in the UK and not familiar with the US romance market, then you might find this Huff Post Books article 'What Happened to the Historical Romance Novel?' by author Maya Rodale an interesting read - although it is long- but it will help to read it all.

I do buy and read contemporary romances, but if you looked in my bookcases you'd notice that at least 75% of the contents are historical.

Once I'd moved beyond Jane Austen and Georgette Heyer I wanted more, but the choice was limited. They never seemed to have enough time to develop the sub-plots, and even the main story line seemed to be limited to a certain level of intensity- because anything more wouldn't have fitted the pre-set length the publisher required; and of course everything stopped at the bedroom door...

For some years I was able to get my historical romance fix by getting imported US editions from Waterstones or second hand copies from a book stall, whenever I came across them.

Then for a while it picked up. Some of my favourite authors began to have their latest books in a UK edition- usually with a completely different cover, much more artistic and restrained.

With the emergence of Kindle and e-books, readers now have instant access to any type of romance novel they might want, and the wider author base means even more books to choose from.

I've got no problem if an historical romance author writes a traditional no-sex romance, as their characters might be the 'wait until we're married' type; I've read a number like that, and it would have been quite out of place for those characters to have done anything different.

These traditional style stories haven't been any less enjoyable, or lacked depth and intensity.

I certainly noticed more sex scenes in novels (by a few of my favourite authors) a couple of years ago, but that trend seems to have reversed and they've returned to how they were before with one or two such scenes being the norm. Perhaps that was more to do with the 50 Shades of Grey effect...

Personally I think historical romances published in the UK have adapted slightly, but they're a long way from their American cousins. Whether that's good or bad is for each author/reader to decide...

There are now a lot of smaller publishers printing romance novels too...

Contemporary romance heroines certainly don't have the issues that their historical sisters have to deal with...

Whatever your preference, the good news is that romance is thriving, so that's good for every writer, and for their readers.

Dialogue & Dialects...

Last week at Nottingham Writers' Club we had a mini-workshop on dialogue.

Now dialogue has never given me issues, description yes, but not dialogue. But we all have areas of difficulty in our writing, and it doesn't mean we won't improve if we work at it.

For those who may not know, dialogue can be used to display character, provide information, but it must help move the story along...

When I was a teenager and started writing, my stories were dialogue heavy- emphasis on heavy. :D

I was fortunate to be exposed to different accents as a child; visits to my Somerset or London relatives, and regular trips to Lewisham market with different cultures emerging (in the 1960's).

Television and Radio no longer restricts what we hear to 'received pronunciation' (old style BBC English), and with regional BBC programmes you'll hear a wider range of accents. Actors no longer have to lose their natural accents to guarantee employment either.

Consider how many programmes have used regional accents/dialects and been successful: 'When the Boat Comes In', 'Auf Wiedersehen, Pet', and 'Rebus' among them.

But what about dialect in books?

There was a recent article in The Guardian online, 'A Difficulty with Dialect' by author Debbie Taylor. She wrote a book called 'Herring Girl' and was advised to get rid of the dialect before submitting- she said she went for the "dialect lite"option. She regretted how much she'd taken out when she read it out to an audience at a launch party.

At our workshop some of the attendees didn't favour limiting dialect. As an experiment one member spoke in his natural dialect, and while some understood, or were able to make a reasonable guess at what he said, others couldn't. But we all agreed that it was easier to listen to, but probably wouldn't have been if we'd been reading it.

Personally, I prefer the occasional word or phrase that the reader might associate with a particular accent, and paying attention to whether a slightly different sentence construction is characteristic of the natural speech.

There are resources available if you want to hear how people from different parts of the country sound. Here's a few:

British Library- Sounds Familiar?

The International Dialects of English Archive.

The BBC-Voices.

(These will also help with social history too.)

Even though I've lived in the East Midlands for nearly thirty years I still have my southern twang- long sounding a's in words such as glass and bath being the most noticeable. :-)

So what are your thoughts on dialogue, accents and dialect?














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