Showing posts with label publishers. Show all posts
Showing posts with label publishers. Show all posts

Sunday 20 May 2018

Write a Love Story - Competition Opportunity...

Love has been very high profile this weekend with the marriage of the Queen's grandson Prince Harry to Meghan Markle at St. George's Chapel in the grounds of Windsor Castle yesterday (19th).

The (now) Duke and Duchess of Sussex looked so happy. The sun was shining on their wedding, bathing everyone in Windsor with the feeling of goodwill and happiness- and probably a large portion of those watching the events on their television or computer too.

If you're into romance writing, here's an opportunity to be published by Trapeze, an imprint of Orion Books. There's prize money and mentoring for the winner- if everything completes...

Don't forget to check their answers to some important questions on the FAQ page. It does clarify who can enter.

Romance...
Dating site eharmony are running the competition with Trapeze books to find, as they put it, "the next great love story".

The competition opened on the 16th May and the closing date is the 30th July.

You "submit the first 5,000 words of a love story, along with a synopsis and short biography to lovestories@orionbooks.co.uk" - it will need to be a full-length novel.

Before you rush into entering there's an important line in the terms and condition, so some research is needed.

"The entries will be judged on the quality of the writing and storytelling, how well it fits the Criteria, and the potential based on the synopsis for a full length novel that would fit with books published under the Trapeze imprint." (From competition details.)

The criteria is the 500 word synopsis and the first 5,000 words of the novel (they're calling this the 'proposal').

Trapeze was launched autumn 2016 to publish commercial fiction and non-fiction. The Orion Publishing Group say " Trapeze’s fiction list will publish books by standout voices in the crime, psychological suspense and women’s fiction areas." (From About Orion.)

You can find out the full details of the prize on the eharmony page.

The winner will be chosen from a shortlist of six proposals.

But, do read and understand the terms and conditions of the competition.

Good luck if you enter...


image from Pixabay.com

Thursday 10 May 2018

Meeting C.J Tudor - author of The Chalk Man...

It was my Wednesday evening out at the Writers' Club last night (that was the 9th, if
you' re reading this at the weekend).

The guest speaker was author C.J Tudor, whose debut novel 'The Chalk Man' was published this January in hardback; there will be a paperback later this year.

C.J Tudor author of
The Chalk Man
As Caroline is a local author the club was already connected on Twitter, so that made arranging the talk much easier for me; being able to suggest what we'd be interested in hearing about and adapting to her way of working.

Caroline began with reading the prologue of her book and there was a definite ooh at the end...

We heard about her journey to publication with the "little notes of hope"- the comments she received from agents she'd submitted her earlier books to; but it was clear that the process can be long and the path not always smooth just getting an agent.

The insights into the actual publishing process (once The Chalk Man manuscript was accepted- after an auction) was something many writers don't usually hear about.

Anyone who ever wondered why it takes so long for a book to be published- about 2 years- would have understood why, after Caroline explained the process she and her book went through. Editing and more editing featured heavily.

But it did also give some useful insights that self-publishers can learn from.

Creating a buzz using social media and the value of book bloggers, especially with debuts.

The value in getting pre-orders and the concentrated effort needed the first two weeks the book comes out.

All writers are aware of book covers, so it was surprising to hear why the cover of The Chalk Man had to be changed for the US market; they had an orange cover.

It seems they don't like black covers...

Caroline's talk was entertaining, and interesting. She is a pantser as a writer and her talk was that way too, but it worked well.

If you get an opportunity to see her at an event you won't be disappointed. And the same goes for the book...

As it says...










Monday 14 August 2017

Guest Post: Sally Quilford and The Curse of Lakeham Abbey...

Today I'm delighted to welcome author, and friend, Sally Quilford to Carol's Corner, to talk about her new book The Curse of Lakeham Abbey and how to manage writing a sequel.

The new book...
Sally is the author of well over 20 novels, and has written in several different genres, including romantic intrigue, science fiction and crime. A number of her romantic intrigue novels were also published in Large Print.

Then Lakeham Abbey came along.

So over to you Sally...


Characters that go Bump in the Night

When I wrote the first novel in the Percy Sullivan series, The Secret of Lakeham Abbey, I had an idea that I would follow Percy through adolescence and into young adulthood, as he solved crimes, fell in love and generally learned to be a nicer human being (because let’s face it, he can be a bit cranky). That was the idea.

So, it was a bit disconcerting when, the next time he visited me – in the middle of the night as most characters are wont to do – he said ‘Actually, I’m old and cranky now and living back at Lakeham Abbey in 2017 and I have a very interesting story to tell you…’  I immediately saw him as Sir Ian McKellan, in a wheelchair, wearing a Panama hat and a light coloured suit, listening intently, with a mischievous look in his eyes, as relationships ruptured around him, murders took place and secrets were unearthed in the house where his career as a sleuth began. Other authors will recognise this tendency for characters to turn up at awkward times to tell you their life story.

Sally Quilford
I was immediately faced with a dilemma. Should I write The Curse of Lakeham Abbey and put it aside until after my death, as Agatha Christie did with Hercule Poirot’s Curtain? Or do I publish it and be damned? On the basis that I’m a) too impatient and b) it’s unlikely that anyone will be clamouring for my unpublished novels, I decided to write it and send it to Crooked Cat, hoping that they liked the idea as much as I did. I’m glad to say they did!

Writing a sequel is not easy, as any writer with a long-running series will tell you. You have to make each novel standalone, whilst still giving a nod towards earlier events for those who are following the series. It’s even harder when your sleuth decides to age 70 years! I wanted to suggest Percy’s long career as an amateur sleuth, without actually giving any details away, because quite frankly, I don’t know what he plans to tell me next.

The last time we met, he had been a truculent teenager. I needed to keep some of that truculence, whilst still letting him mature. In a sense, it was exactly the same as catching up with an old friend and finding that whilst they had changed, they still had the traits that attracted you to them in the first place. I hope that I’ve somehow managed to convey that in the story.

Equally difficult was writing a follow up novel that, whilst still crime, was a change of sub-genre. The Secret of Lakeham Abbey was set in the golden age of detective fiction, with upper class people enjoying country house living, whilst murders took place around them. The Curse of Lakeham Abbey, by dint of being set in our era, could not be the same. So I took my inspiration from the current rake of domestic noir novels, where miserable couples hide behind a veneer of civility.

I don’t know where Percy will take me next; I just hope he lets me get a good night’s sleep next time!

*

Thank you Sally. It sounds like Percy will be keeping you busy with further tales in future, and look forward to those too. :-)

I'm sure the Curse of Lakeham Abbey will be another success so if you want to get your copy asap here's a couple of direct links for you.

Enjoy...

The Curse of Lakeham Abbey is released on 15th August 2017 and is available to buy from Amazon.co.uk in paperback, and on Kindle.

On Amazon.com: paperback, and on Kindle.

Sally is holding a launch party over on Facebook on Tuesday 15th from 10.00 am (British Summer Time) so pop along to celebrate with her.








Monday 20 April 2015

Writers' Earnings - Not Good News...

Still not quite over the recent late spring bug, but my head is now clear enough to put some thoughts together on the news reports about writers' earnings that came out today.

You may remember that last summer the initial findings of the ALCS's survey on author earnings revealed that for professional authors- those who earn their income from writing rather than another job- their 2013 income was just £11,000. (In 2005 this figure was £12,330.)

The full research has now detailed how the income is spread, and for the average writer it is not good news.

The top 10% of professional authors (defined as those who spend more than 50% of their time self-employed writing) earn 58% of all the money that's earned by professional authors.

Now I'm not going to begrudge any writer for all the years of hard work they've put in, they've earned it. But would they be able to get to that same level of income if they were just making that leap into full-time writing now? In the current climate facing writers I very much doubt it.

One of the panels I attended at the recent Writers Conference was about earning a living as a writer. While few of the audience were shocked at how difficult it was to do so, it was probably the insights into how varied the other means of earning an income have become: teaching, mentoring, workshops, and other creative writing opportunities were sited as other income sources.

Back to the results:
As for the bottom 50% of writers (professional and those for whom writing is not their primary occupation- which will be most) they only earn 7% of all the money earned by writers put together...

The worrying figure is that 17% of all writers did not earn anything during 2013. Also 90% needed to earn money from other sources. Bills still need to be paid and food bought...

While these headline figures are worrying, there's a lot more to be concerned about for many writers who are emerging in the current world.


  • Too many expect writers to work for nothing, whilst claiming it will help your profile (!!!! I stopped believing that a long time ago. It's not that I wouldn't do something for free, but that would be my choice because I supported a cause or was happy to help in some way, or a particular writing credit would be useful...)



  • Contracts that demand more, or all rights (including moral rights) in any media with no additional recompense- an issue with a number of magazines. 



  • No reversion clauses. Admittedly many publishers will have them, but others won't, and how can any contract be fair if all the advantages are on one side? Yes, you can turn the contract down, but regrettably you lose out.


It will be interesting to read the full report, as it also looked at copyright, contracts and the authors' bargaining positions.

To read the various articles here are a few links you might like: Bookseller; and the Guardian.

Wednesday 21 January 2015

Virtual Romance Festival Back...

Just seen the news that the HarperCollins Virtual Romance Festival is returning for a second year- save the weekend dates of the 7th and 8th February in your diary.

I've just registered for the event- it's free.

As last year, one day will be aimed at writers, and the other for readers.

Again events will take place on Facebook, Twitter, the Festival's Wordpress site, and Google Hangouts.

Last year the Wordpress site got temporarily shut down, so hopefully that won't happen this time, as it kept everyone up to the moment on who was where...

Most of the 2014 writers day I spent on Facebook; as there was a different person/subject every hour, and I found it very useful. Lots of writers asking questions and sharing their experiences and thoughts.

And experts generously sharing their expertise and answering the barrage of questions.

Twitter was a bit too fast paced for me to keep up with that as well, but I was able to access many of the other events I missed from the links in the emails sent, and the Wordpress site when it was back up and running.

This announcement on the Bookseller website will give you some general information, and includes the link to the Eventbrite page to register.

Bookseller article with Eventbrite link, here.

If you're on Facebook you can like their RomanceFestival page.

So often it can be difficult for writers to get to Festivals and Conferences in person, so this virtual event is a fantastic opportunity to take part without leaving home.

If you missed last year's festival in June, then here's my blog post from last year sharing my experience of the writers day.

If you go, enjoy every busy minute. :-)

Sunday 19 October 2014

What Has Happened to Historical Romance Novels?

In the 30+ years I've been reading historical romance novels, there has been a lot of change.

But...I don't believe the change has been as wide-ranging in the UK as it has been in the US over that time.

If you're in the UK and not familiar with the US romance market, then you might find this Huff Post Books article 'What Happened to the Historical Romance Novel?' by author Maya Rodale an interesting read - although it is long- but it will help to read it all.

I do buy and read contemporary romances, but if you looked in my bookcases you'd notice that at least 75% of the contents are historical.

Once I'd moved beyond Jane Austen and Georgette Heyer I wanted more, but the choice was limited. They never seemed to have enough time to develop the sub-plots, and even the main story line seemed to be limited to a certain level of intensity- because anything more wouldn't have fitted the pre-set length the publisher required; and of course everything stopped at the bedroom door...

For some years I was able to get my historical romance fix by getting imported US editions from Waterstones or second hand copies from a book stall, whenever I came across them.

Then for a while it picked up. Some of my favourite authors began to have their latest books in a UK edition- usually with a completely different cover, much more artistic and restrained.

With the emergence of Kindle and e-books, readers now have instant access to any type of romance novel they might want, and the wider author base means even more books to choose from.

I've got no problem if an historical romance author writes a traditional no-sex romance, as their characters might be the 'wait until we're married' type; I've read a number like that, and it would have been quite out of place for those characters to have done anything different.

These traditional style stories haven't been any less enjoyable, or lacked depth and intensity.

I certainly noticed more sex scenes in novels (by a few of my favourite authors) a couple of years ago, but that trend seems to have reversed and they've returned to how they were before with one or two such scenes being the norm. Perhaps that was more to do with the 50 Shades of Grey effect...

Personally I think historical romances published in the UK have adapted slightly, but they're a long way from their American cousins. Whether that's good or bad is for each author/reader to decide...

There are now a lot of smaller publishers printing romance novels too...

Contemporary romance heroines certainly don't have the issues that their historical sisters have to deal with...

Whatever your preference, the good news is that romance is thriving, so that's good for every writer, and for their readers.





Sunday 4 May 2014

Changes for the Romance Market?

The purchase of Harlequin (from Torstar Corporation) by News Corp slipped by without too much notice in the UK yesterday (Friday). Admittedly it still has to pass through regulatory processes before it is an irrevocable deal, but that's just a matter of time.

There were a couple of items on the Bookseller website, this one and then this item. And the BBC web pages announced the news by branding Harlequin as the 'bodice ripper' publisher...

Harlequin will then operate as a division of HarperCollins.

In the UK, there are 4 imprints, Mills and Boon, Mira, Mira Ink and the the digital Carina. They are a small unit among the 1,000 Harlequin staff worldwide.

Romance is still a strong area of publishing- especially in digital- so I don't think there's any worry that Mills and Boon or Harlequin will suddenly disappear.

Though I do wonder if all the category romances managed in Toronto and New York will survive when the new managers start looking at the ongoing costs...

In the UK when any business is taken over there's usually staff loses and reorganisation; but perhaps the size and reach of the existing UK operation will protect it to some degree...

For one, across the ocean, view you might find this item on forbes.com interesting.

I can certainly see the advantage for Harper Collins, as it must be tough competing against the diversity that the Penguin Random House merger brought.

But I do think that this will start the countdown to the other major publishers doing mergers.

First there was 6, then 5...how long before it's 4?

Writers and readers are understandably going to be concerned, because until someone tells them what is going to happen, they can only speculate, and that's not good for anyone.

Also the larger the publisher gets, the harder it seems to be for writers to get their attention.

I'm becoming more convinced that the smaller publishers are where new writers should be looking, or go the self-publish route.

The next two years certainly will be interesting...

Do you have any thoughts on this merger?


Saturday 1 February 2014

Connections and Respect...

Having got back into a steady routine of writing and blogging, my life was thrown upside down last weekend by not only losing my broadband, but my phone line too.

Okay, I know. If my phone line goes then so will my broadband. Unfortunately it happened the other way round for me...

I should add that we suspected our loss of service was 99.9% related to the engineer (from our provider) who was putting a broadband line in for one of our neighbours, as we lost our broadband about the time he would have been connecting up to the box in the pavement.

All the cables run under our pavements where we live, so we don't have any telegraph poles with wires running across.

But the provider's fault system requires you go through the testing routine, and of course their instrumentation said our broadband signal had no drop-out (!!!!) and the problem was our phone line-further tests then went on to blame our house wiring, and warnings that if the engineer came out we'd be liable to pay nearly £130 if it wasn't their equipment at fault.

So from Friday evening until the engineer arrived early Tuesday morning we were stuck. You get a lot of other things done with no phone calls, or Internet to distract you. (I read three e-books on my kindle.) But my desk had to be moved right up against my bookcase!

Very pleased to say that the engineer quickly found that the problem was outside, and as we'd suspected on the Friday when we started losing our service, it was related to what the other engineer had done.

Took about an hour+ to fix and test- even that wasn't trouble-free, but eventually we had a working phone and broadband line.

But it has taken the rest of the week getting the bandwidth back to where it was. And don't mention how many e-mails there were to sort through!

It's only when you lose your broadband that you realise how much of everyday life has moved online.

We communicate with friends and acquaintances from all over the UK, and in other countries, as if they were in another room. We use the Internet to interact with companies and services, even publishers! It's often easier to contact a company online than it is by phone...

The Internet has opened up so many resources that writers, a hundred years ago, would either have had to make a time-consuming trip to access the location, museum, gallery or specialist library and spend hours finding the information needed, or send lots of letters to get the answers.

My loss of broadband for those few days certainly increased my respect for those early writers. Their books may have been shorter word counts than we produce now, but they put as much, if not more effort, into producing their manuscripts.

It also makes you realise how much we take access to information for granted.

If the Internet hadn't been invented how many of those essential services and goods we writers depend on, would not have been invented? How many companies and organisations that employ, and sometimes support, people (including writers) may never have come into existence?

That's slightly scary...









Sunday 1 December 2013

The Great British Write Off Competition...

" Are you the next big women's fiction writer?"

Well if you think so, then have a look at this competition showing on the handbag.com website. They've teamed up with booksandthecity.co.uk and publisher Simon & Schuster UK.

They want to find and publish a debut women's fiction writer. Full details here.

"The plotline can be anything; the only requirement is that it must fall within the women's fiction genre."

Entrants are required to: " submit your short story, which should be a maximum of 2,500 words" (and this is done by copying and pasting into the entry form on the main page).

The closing date is 5.30pm on the 31st January 2014.

The winner will get some fantastic opportunities.


  • Publication of the winning e-book short story in April 2014.
  • An agent advice session with Lizzy Kremer, director of David Higham Associates.
  • An author mentoring session with Sunday Times bestselling author Milly Johnson.
  • And a book jacket and feature on Simon & Schuster's social media channels such as Facebook, Twitter and Pinterest.
The winner gets a standard e-book contract.

(details from www.handbag.com)

You'll find full details, t&c's, and links you need on the main page- see my link at the top.

Apologies to overseas writers once more, this is only for UK residents aged over 18 years.

If you enter, good luck. 


APOLOGIES for the appearance of white blocks behind quoted text. I haven't been able to get rid of it. 

Wednesday 22 May 2013

More on the Contract Issue...

Following on from the concerns raised by writers on the new DC Thomson contracts- which I mentioned in my last post- Womag has received a response with clarification from Shirley Blair, who is the fiction editor at People's Friend.

You can read it on Womag's latest post, here.

I don't think it acceptable to re-use a writers work without further payment- unless the fee you're paid initially is increased to reflect that fact.

Interestingly the new contract has a much wider reach:

"Our legal department decided that it was necessary to develop new contributor terms that apply right across our publishing business and are relevant to magazines, newspapers and digital publishing."

So this will effect not only the Scottish newspapers they produce, but also The Weekly News, The People's Friend, My Weekly, Beano, The Official Jacqueline Wilson Mag, teen magazine Shout, and Dandy Extreme, The Scots Magazine, and Animals and You- aimed at the younger market.

There's been an explanation of the Clause 8 concern. But saying there will be an" additional payment" if a collection is done, which suggests it will be a one-off payment and not royalties.

And the Joint Contributions aspect will certainly have a knock-on effect. The large print publishers who print previously published pocket novels (that are often in libraries and earn PLR) will now find they can't just use them as before, because they can only have the writers original, not the edited for publication version...

They will answer questions and concerns about the new contracts, which is good.

But, the new contracts are not negotiable, so if you don't sign it, they won't buy your work.

So it will now be down to individual writers to decide whether they sign the contract and continue to be paid for their work, or they don't sign and lose an income source...







Monday 20 May 2013

Understanding Issues...

Last week went so quickly and I was trying to get so much done that I missed any blog posts.

Plus a trip to the dentist on Friday for root canal work just makes me glad I don't live in the 18th/19th century with the dentistry of the time...

Finally got some more of the novella completed; these last chapters are certainly picking up the pace as the past starts to unfold and there's trouble afoot.

Originally the novella was being written for the pocket novel market, but then changes were made to what was wanted- 20th century onwards.

DC Thomson (who produce the My Weekly Pocket Novels and those by People's Friend) have been a topic for discussion re rights and contracts over the weekend.

Apparently they are sending out new contracts to writers and the new terms have caused a few upsets.

Now I'm a great believer in not giving up your rights, or limiting your rights, unless you are paid an adequate amount to compensate, so I was interested in what the issues involved were.

So let me refer you to Womagwriter's blog post from Friday. Womag has seen an actual contract...

Okay, I've not been in a position to be offered a contract by DCT so I'm not a writer who finds themselves faced with agreeing to such terms or losing a portion of their regular income.

But it does rather seem they want a nice portfolio of stories they can use again and again in assorted media without paying more for it.

And as for that restrictive Clause 8: " In the case of a collection of your contributions where you are the sole or majority author in book form, you commit to offering the Company the right to first refusal to publish any such collection in any format... such an arrangement would be subject to new contractual terms..."

(Now, I am not a lawyer, so this is only my personal opinion of how that clause reads.)

So they can say, yes we want to publish your collection. But if you don't like the contractual terms they're offering, and you can't negotiate on those terms to your satisfaction, then it's goodbye to you publishing your collection yourself, unless they turn down your offer...

Some years ago I read an interview with an author who had been contracted for a second book. The publisher didn't like the second book presented to them, but being bound by the contract she could not offer that book to anyone else...it does sound like it could be a potentially similar scenario...

Writing is a business, and we mustn't lose sight of that fact.
The publisher wants to get the best deal they can, and so does the writer. Sadly the writer is usually the one who loses and ends up doing all the hard work to promote their story/novel for less financial return.

(Is it any wonder that self-publishing to Kindle/Smashwords is thriving?)

We all know that magazines are struggling.

The elusive younger end of the market do everything online (and admittedly not just the young nowadays)- or so it seems. With Smart Phones and iPads, magazines are actively pushing digital subscriptions, as print figures for many magazines drop...

While these are not magazines with short story markets, Bauer have closed 'More' magazine; and 'Full House' is closing too. I've also heard that glossy 'Easy Living' is on the way out...

Could changes in contracts be an advance sign that magazines are trying to build potential collateral that could make the difference between them closing, or being bought out by another publisher?

In the world outside publishing, if a business fails it has more chance of being bought out or taken over if it has an order book/a market; publishing is no different.

But I do worry that if DCT's contract doesn't get revised, then other publishers will start to go that way too, and that won't be good for any writer...

As a last word on rights, you might like to peruse "Authors and book rights – some more truths" - from the futurebook.net website- a digital blog from The Bookseller- it was taking too long to load as a link, so I've just included the name here.

As writers we need to protect our rights, so if you aren't clear on the subject start reading up- there are numerous rights you hold and unless you understand them, you could be signing away a potential source of income.

If you have any thought on this issue, or rights generally, then do please leave a comment.













Monday 29 October 2012

Is the Random/Penguin Merger Just the Start?

Over the weekend there were a few media discussions about the potential merger between Random House and Penguin Group.

Early today (Monday) the merger was confirmed, read the details from Random House here.

"The new name will be Penguin Random House. Until the closing, the companies will maintain their current separate operations and continue conducting business independently."

 (If only they'd gone for Random Penguin :-) )

While they've agreed, the regulatory authorities will be sure to look at whether there is any competition conflict. If they decide to look into it, that will delay the completion of the merger; but no doubt the owners of the two groups (Bertelsmann, and Pearson) knew it was likely and will no doubt progress with the rest of their plans in the meantime.

Though I can understand why they've chosen this route.

Apart they are not only competing again Amazon and Apple, but also against each other. While books are selling, the digital side of the market is going full steam and they're still playing catch up...

Like any company (whatever the industry) mergers mean changes. There are bound to be areas where downsizing will happen, so it's going to create worry for some employees.

Marjorie Scardino, chief executive of Pearson, said " "... Together, the two publishers will be able to share a large part of their costs, to invest more for their author and reader constituencies and to be more adventurous in trying new models in this exciting, fast-moving world of digital books and digital readers.” "

(author and reader constituencies?) I'm always suspicious when any executive starts talking shorthand, it makes me think they're glossing over less than pleasant facts- but that's just my personal opinion.

There's been years of small publishing companies being bought up and merged to form these big publishing groups, now they're cannibalising themselves.

Small independent presses are flourishing and getting authors nominated for high profile awards. So perhaps they are where new authors should be aiming their submissions?

I wonder how long it will be before the big six become the big three? And from there, two, or even perhaps one, so they can compete size wise with Amazon?

2013 will certainly be interesting...



Friday 28 September 2012

Magazine Fillers...

All writers eventually get to a stage when they feel they are good enough to make some money from their writing. Sadly that isn't as easy to do nowadays.

While I continue to get on with the fiction, I thought I'd start looking at fillers-writer friends had earned varying sums over the years, so I decided to see what was out there that I might be able to submit to...

But it looks, like unsolicited fiction, that the opportunities are reducing (as far as the regular weekly magazines are concerned).

I've yet to look at the specialist magazines, so there may be some openings there.

Just like book publishers' imprints, the best known magazines that you'll see on the newsagent shelves will be part of a big group and produce a variety of magazines.

Bauer, for example, produce 'Take A Break', 'TV Choice' and 'Spirit and Destiny' alongside 'Take A Break's Take A Puzzle' magazine.

IPC Media have 76 different magazines from 'Chat' to 'Horse and Hound' and even the 'Woman's Weekly Fiction Special'.

Every year magazines start up, and unless they've got a lot of financial support to back them, they will struggle, and many will close.

So it's not surprising that in tough financial times magazines have cut back.

Previously employed journalists have lost their jobs and moved to freelancing.

The magazines have glossy websites with loyal readers that can contribute to online forums for those who sign up- be it fashion, cookery or life, there will be free content.

Magazines that were once very conventional moved toward the celebrity obsessed end of the market, and also embraced real life stories - 'my husband was an alien bigamist' (I know this example is daft but I don't want to offend people) but you know the sort of stories I mean.

So today I bought a 'bundled' magazine- this is where more than one magazine is sold with another, and cheaper than if you bought both separately.

I got 'Prima' with 'Best' and a 2013 Calendar with seasonal bakes each month, and a booklet of money-saving vouchers ( a number requiring you to spend money to get the 20% discount). Plus free eye gel which you have to send off for by post and pay postage for it to be sent to you...

In Prima Extra, a section at the back of the magazine you can find a few money making fillers. Wise Words can win you £25, but you need to visit the Prima Facebook page for the latest Wise Words question.

If you're good at puzzles there's a whole section including a number which could earn you £100 to £500 if you're the lucky entrant drawn.

And if you have any useful tips and it's published you win £25 too. I'll need something original...
I haven't got anything vaguely antique or collectable that I could send a picture of that might get the highest value item shown and win £50.

Now here's something I might be okay with, a 300 word story that can be e-mailed, but sadly no cash for the winning story writer-you can win a Kobo eReader, and the runner- up will get a year's subscription to the magazine. Neither prize to be sniffed at, and your winning story will get read by lots of people.

Letter pages seem to offer prizes for the star letter now.

Well that's only one magazine, there are a lot more out there, and the next one I pick up may be perfect. So next Friday I will be found perusing the shelves of WH Smith, looking for opportunities...


Wednesday 19 September 2012

Update on Publishers and the Agency Model...

If you've been keeping up with the controversy surrounding publishers who adopted the 'Agency Model' for retailers selling e-books, it appears that The European Commission (who began investigating a number of publishers over possible contravention of EU regulations) has made an initial finding.

For anyone who's missed the ongoing saga, the agency model is where the publisher sets a price that retailers must sell that publisher's e-books for; this prevents retailers from offering their own discount deals. I've been posting about this agency issue since late 2010.

Earlier this year the same publishers were faced with an agreement with the US Justice Department concerning the future of the agency model. But even this is still ongoing as this Bookseller item explains ' Publishers and Apple want delay in settlement agreements' claiming, " “The government is seeking to impose a remedy on Apple before there has been any finding of an antitrust violation.” ".

So to the EU.

The Competition Commission in the UK earlier this year stopped their investigation as the EC decided they would take action on potential breaches of legislation. And obviously they would have a bigger shovel to hit publishers with compared to the UK by itself...

"The publishers and Apple have agreed for two years not to "restrict, limit or impede" retailers from reducing the price of e-books or offering discounts. They have also agreed not to enter into any e-book agreement that contains a the most favoured nation (MFN) clause for five years." (Bookseller article)

This does not apply to Penguin, who have not reached an agreement with the EC.

"The EC is now road-testing the agreements and has called for observations to be submitted within one month, otherwise they will become binding shortly thereafter." (Bookseller article)

So the battle is far from over, but by early next year I'd expect to see a few pricing changes.

Sadly I don't think it will bode well for e-book royalty rates for writers contracted to those publishers. And I wouldn't be surprised if it becomes even harder for unknowns to be taken on by the big firms, even with an agent.

This may be the time for independent publishers to see a further leap in interest and more submissions...

 

Friday 25 May 2012

What Published Writers Think About Their Publishers...

A survey was recently undertaken by The Writers Workshop that was only open to professional authors, and on Thursday Harry Bingham posted the results. You can read the piece here.

As a would-be novelist it's interesting to see how the 321 published respondents answered the questions set them.

After all they have agents and publishers already, so they should be relatively happy, right?

Well some don't seem to be when you look at the data closely- look here.

I think most of us know that writing books is not going to make us rich- though if your initials are JKR that won't apply- and any advance you are likely to get has got to go toward supporting you while you write the next book; as it can be quite a while before your latest manuscript reaches the shelves in its novel form, and starts earning back the advance, so you can then start getting royalties...

But £1,000-£5,000 seems to be the going advance rate for many authors- not much once you split it into three to reflect the different stages.

I know from discussions with other writers that marketing is very important if you want to get book sales, especially if you've self-published or have e-books for sale.

So I was quite surprised by the answer to the question on whether the authors were closely consulted on the publisher's marketing plan. 99 of those who answered opted for 'there was no attempt at consultation'.
And those who had consultation were not that impressed either (that's my interpretation).

The good news is that payments were clear and prompt, so that's good news among the less encouraging.


Nicola Morgan of Help! I Need A Publisher! has two valid points to add to the comments.


There are a lot more interesting responses to a variety of questions, so I recommend you take the time to read all the data.

Despite some of the negatives the data highlights, I doubt that many writers would turn down the opportunity to have a well-known publisher supporting them.

We just need to remember that when that happens, it's best to leave the rose-tinted glasses behind...





Monday 23 April 2012

Happy Monday-World Book Night, Shakespeare and St. George...

Phew! Today really is busy...

Happy St. George's Day to all those living in England.

Happy Birthday to the greatest and best known playwright in the world, William Shakespeare, who grew up in Stratford-upon-Avon in Warwickshire.

I spent a lot of summer holiday's there in my early 20's, I would book theatre tickets for whichever productions were on at the RSC (Royal Shakespeare Company) during my chosen holiday week, find a nearby hotel or bed and breakfast and immerse myself in the town and Shakespeare's plays.

(It was quite normal to walk past well-known actors in the street, or to be standing in the same queue as them in a shop without anyone bothering them...)

When I wasn't at the theatre, I would stroll alongside the river, sit and read, or just enjoy the calmness away from the traffic and bustle. I even ventured onto the river in a small hired row boat- I did wonder if I would ever get back to land a few times, but I could certainly appreciate how tiring rowing a boat can be.

During the day I did the tourist trail- I've visited his birthplace a few times, and always found something new to learn. You can find out more here.

The other big event today is World Book Night.

You can get a brief overview of some of the events from this Bookseller.com article.

But if you think the hoo-ha is too much then here's a few other ways to celebrate the giving of books.

Nicola Morgan is doing her Complementary World Book Night again this year-after getting a lot of tv and press coverage for her views in 2011. She'll be going to the book shop and buying books to give.
This way the bookshop gets sales (high street bookshops need people to go in and buy books from them, to keep running), the writer of the book earns royalties, and the publisher gets money too.

And if you'd like to support independent authors then do visit Authors Electric who are celebrating WBN by offering a selection of their e-books for free on the 23rd/24th April. A great opportunity to try out some new authors.

Well I'm off to do some writing before chores take over.

Happy World Book Night/Happy St.George's Day. :-)




Friday 13 April 2012

Agency Model Revisited...

It's been quite difficult to keep up with the almost daily changes going on in relation to Apple, the big name publishers, e-books and the 'Agency Model'.

At the moment there's no final news on the results of the investigation being undertaken by the European Commission (on whether any competition laws have been infringed by agency model pricing).

But earlier this week the US Department of Justice filed papers alleging conspiracy, by Apple and five US publishers, over fixing e-book prices.
Obviously the publishers refuted this and Apple's spokesman denied any collusion.

Now, I'm inclined to accept they didn't actually get together and agree to fix prices- after all they're competitors in one way. But obviously once one publisher does something major, the others are bound to look at it and quickly follow suit without reference to their fellow publishers, just to avoid being put at a disadvantage in the market...

And they probably all share the desire to get one up on Amazon, just to get a little control back...

Three publishers quickly settled with the DoJ and agreed terms- read this piece in the Bookseller explaining.

Meanwhile four publishers have apparently offered a deal to the EC.

While there's a split between those publishers who've agreed to their agency terms being modified, and the remainder who are holding out, surely Amazon will take advantage?

You can read Alison Flood's concerns in the Guardian, 'The Apple ebook price-fixing lawsuit has terrifying implications'.

If your head is spinning from all those links, then you'll find this extensive piece, 'Agency is dead, long live new agency' by Phillip Jones rounding up all the information, with essential quotes and links, plus the implications of these changes, useful.

I can see 2012 is going to prove very interesting...